Everything is Illuminated, directed by Liev
Schreiber, 2005, English and Russian with English subtitles, 105 minutes.
By Donald H. Harrison
If the phrase "Everything is Illuminated," reminds you of
"They Lived Happily Ever After," you get the fractured-fable quality
of this beautifully filmed travel story through the rich pasture lands and
forests of the Ukraine. Although not everyone does live happily ever after,
matters certainly are clearer at the end of the film than they were at the
beginning. Congratulations are due to director Liev Schreiber and
cinematographer Matthew Libatique for their rendering of this novel by Jonathan
Safran Foer.
Jonathan (Ellijah Wood) as a child was prompted by his grandfather's death to
begin collecting photographs, memorabilia and ephemera about his family—a
collection that grew more extensive and bizarre as he grew into adulthood. All
sorts of items would be dropped into see-through plastic bags, sealed, and then
pinned in the jumbled order of a bulletin board or refrigerator door onto a
large museum wall of his bedroom.
Everything, it seemed, was there: a key, an unwrapped but not unrolled
prophylactic, his grandmother's dentures. Two treasures of particular
fascination to Jonathan were a photo of his grandfather as a young man standing
in a field with a young woman, and a grasshopper sealed in amber. So
Jonathan decides to travel to the Ukraine to find the village of
Trachimbord from which his grandfather escaped during the Holocaust.
He hires Alex (Eugene Hutz) , a young man of his age, to serve as his guide, and
Alex brings along his eccentric grandfather (Boris Leskin) as a driver,
despite the fact that grandfather likes to pretend that he is blind.
Alex refers to his grandfather's pet dog, Sammy Davis Jr. Jr., as
his "seeing-eye bitch." English is never so colorful as in the mouth
of Alex, who adds to the humor throughout the journey with his diplomatic
translations of his blunt-talking, Russian-speaking grandfather's
comments. The dialogue at times sounds like a conversation between comics
Adam Sandler and Yaacov Smirnov, as when Jonathan informs Alex that the
singer/comedian for whom the dog was named was Jewish. Does that mean that
other Blacks also are Jewish? Shaq for instance? Alex inquires. No,
says Jonathan. Michael Jackson? Definitely no, Jonathan
quickly replies.
As the two young men become friends, there also are serious Holocaust issues to
be explored. Jonathan repeats the accusation that Ukrainians could have
taught the Germans about anti-Semitism. When Alex asks his grandfather if
this is true, the grandfather pretends not to hear the question. His
silences become longer, the deeper into the journey they go. He pretends
not to know where Trachimbord is, but he is able to veer off the road onto an
unmarked lane that leads to the former shtetl's site. Grandfather has kept
a secret since the days when Jews of Trachimbord were rounded up and
executed—a secret not to be revealed here.
On their journey, the three men encounter another collector, Lista (Lauryssa
Lauret), a peasant woman who lives so deep in the forest and is so unaffected by
the rhythms of the outside world that she is the personification of
pre-Holocaust life in the Ukraine. She knows about Trachimbord and helps to
illuminate the stories of Jonathan's and Alex's grandfathers.
The movie is well worth seeing and easily couldserve as a gentle introduction to
the Holocaust for students.
|