March 30, 2007 Louis Rose Society Newsletter |
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Louis Rose Society
Newsletter #1 |
30 March 2007
Memo to Members of the Louis Rose
Society
From Don Harrison
LOUIS ROSE SOCIETY NEWSLETTER #1
Re: Jewish Times/ Louis Rose
Birthday stories/ recent columns from Israel
The San Diego Jewish Times
has sent out letters to its columnists that as of the Passover edition
which recently came out, that newspaper is ceasing publication. From
personal experience of being forced by financial considerations to close
down the San Diego Jewish Press- Heritage, I know what a sad
time this is for Jewish Times publisher Mike Schwarz, editor Mike Sirota,
production manager Leslie Pebley and all the other people associated
with that newspaper. In a very real sense, condolences to them are
appropriate because the death of a publication is like the death of a
human being. It will leave a very big hole in our community. Now, the
San Diego Jewish Journal is the only English-language
Jewish news organ in San Diego. As you know that publication is a
monthly. It bears a grave responsibility to our community.
Family and community events stir thoughts of preserving our local history By Donald H. Harrison From both the personal and communal standpoints, the month of March was a time for thinking intensely about history, genealogies, and leaving our records behind. For me, a pair of family events bracketed two communal events. On Sunday, March 11, my second grandson, Sky Masori, was born at Kaiser Permanente Hospital and on Sunday, March 18, he had his brit milah at the Soille San Diego Hebrew Day School, in front of the locker that his brother, Shor, uses as a kindergartner there. Rabbi Moishe Leider of Chabad of University City served as the mohel, while the officiant was the Soille headmaster, Rabbi Simcha Weiser. Sky was held on a pillow during the brit milah by his uncle David, whose birthday is March 27. Although there are nearly 32 years separating them in age, David’s and Sky’s two birthdays will be so linked as the March birthdays of our family.I participated in two communal events between the birthdays of Sky and David. On March 21, Soille San Diego Hebrew Day School celebrated “Generations Day” in which grandparents were invited to visit the school. Not only did grandparents and school children build Jewish memories together, but the school also celebrated the arrival there of a traveling exhibit about San Diego’s community of Holocaust survivors. Called “Dafka,” a Hebrew word meaning “despite everything,” the multimedia exhibit tells what happened to these families after the Shoah—how they started over and came to thrive and grow in San Diego. The families represented in the exhibit bear such surnames as Alconi-Israel, Bialar/ Ostroff, Gmach; Libovits/ Krasner; Marx; Pakier/ Mann; Recht/Goldman; Schenk; Schindler, and Zaks. Among the progeny of these families is former Congresswoman Lynn Schenk (D-San Diego), who recalled at the school assembly how, as a student at Beth Jacob School for Girls in the East Bronx, she and almost all her classmates were the children of Holocaust survivors. “What came out of that great sadness was hope for the future,” she said. That hope is realized as “children here learn in a much brighter, more nurturing environment.” A few days later, at Old Town San Diego State Historical Park, the 200th birthday of San Diego’s first Jewish settler, Louis Rose, was celebrated. The klezmer musician Yale Strom, artist in residence at San Diego State University, had carefully selected music for the occasion, choosing tunes from Germany, where Rose was born in 1807; from New Orleans, where he immigrated in 1840, and San Diego, where he lived and made a major impact between 1850 and 1888. The principal audience consisted of fourth graders from Soille San Diego Hebrew Day School, the San Diego Jewish Academy, Audubon Elementary School, Pacific Beach Elementary School and Zamarano Elementary School. Thanks to Karla Shiminski, principal of City Schools’ Old Town program, and San Diego State University Prof. Joellyn Zollman, the children received a fascinating activities booklet that recounted Rose’s various identities as a business entrepreneur, civic leader and builder of the Jewish community, and asked the students to think about what their own identities are or might become. The March 23 celebration was further enlivened by a proclamation from the San Diego County Board of Supervisors declaring the day to be “Louis Rose Day” throughout San Diego. Rose had served on the very first county Board of Supervisors. USD Prof. Iris Engstrand, editor of the Journal of San Diego History, Louis Rose impersonator Harry Goldenberg brought by a poster of the cover of the Journal’s upcoming edition featuring a picture of the Robinson-Rose House in Old Town—the building that served as a backdrop for the celebration. Harry Goldenberg masterfully impersonated Louis Rose. And, the interpretive staff of the Plaza del Pasado, put on for the students a skit recounting the “San Diego incident” in which a contemporary of Rose’s—Moses Mannasse—stood up for religious freedom in 1859 by refusing to testify before a county Grand Jury until after sundown came and Yom Kippur was over. The grand jury had sent a posse to the Franklin Hotel where High Holiday services were being held to compel him to testify. A point of historical trivia: Although the celebration was held on March 23, Rose’s bicentennial birthday actually fell one day later on Saturday, March 24. The celebration was held a day earlier for two reasons. First, it would have been inappropriate for the ceremony to conflict with Shabbat. Second, by having it on a Friday, it could reach and teach schoolchildren from throughout the city. * * All these events made me realize that I need to consider the questions that future generations will have about us. I have a trunk full of unlabeled photographs, a computer full of unidentified digital images; and countless old papers and ephemera that might someday help historians understand the times in which I have lived since 1945. For these materials to serve any such purpose, however, I need to address myself to identifying them, and then to arranging for their donation to an appropriate collection.
True, my life in itself has not been so significant that all my effects
are worth preserving in a museum or archive somewhere, but various parts
of my life were shaped by larger societal forces that historians may
wish to study. Judaism is the most obvious example: as an active member
of the Jewish community, not only have I written numerous articles and
columns on Jewish subjects but I also have picked up here and there
various bits and pieces that belong to the historical record. Some
examples might be a printed invitation to someone’s simcha, a
program to a community event, or photographs of my fellow Jews at our
gatherings. LRS President Donald H. Harrison (left) introduces Yale Srom (right) and his band Hot Pstromi during festivities celebrating 200th birthday of pioneer Jewish settler Louis Rose in front of the Robinson-Rose House at Old Town San Diego State Historic Park. A performance with musical meat By Eileen Wingard Yale Strom and his band Hot Pstromi added an exciting musical dimension to the celebration of Louis Rose’s 200th birthday in the Old Town Plaza. The band opened with Lustig Zayn, a catchy klezmer tune from the 19th century that generated a rhythmic response from the entire audience. A young African-American woman, standing at the periphery of the sea of seated fourth graders,began swaying, then, with raised arms and a big smile, spontaneously choreographed a sequence of steps and spins to the infectious music. The ensemble concluded with Mir Zaynen alle Brider. Everyone, young and old, participated in the oy, oy, oy chorus. In between, Strom and his ensemble gave a musical biography of Rose’s life. A tune from the Stoliner Chassidim had relevance because the founder’s son moved to Frankfurt, Germany, carrying on the Stoliner tradition not far from Rose’s birthplace. A German-Jewish wedding waltz, Mey’en Nigun, was probably familiar to Rose. Di Grine Kuzinerepresented Rose’s immigration to the United States. It was carefully translatedand beautifully sung by Yale’s mellow-voiced wife, Elizabeth Schwartz. Hearing her sing Yiddish is a special treat.
Also included for their historical connections were renditions of
When the Saints Come Marching In, representing Rose’s time in New
Orleans, and John Kanaka, a 19th century song of the Polynesian
longshoremen who once worked in San Diego.
Hot Pstromi consists of Yale Strom, fiddle, Tripp Sprague, saxophone,
George Svoboda, guitar, Jeff Pekarek, bass and Elizabeth Schwartz,
vocals.
As
scholar-in-residence in the Jewish Studies Department of San Diego State
University, Strom continues to enrich the community with outreach
programs
Weather: one thing in the Middle
The problems worth bothering with spill over national boundaries, or
even the region, in ways that should worry lots of us.
Prominent are the Sunni- Shiia splits in Saudi Arabia, Iraq,
Lebanon, and a few other places; the Kurdish issue that may begin in
Iraq but hovers over Turkey and elsewhere; the ethnic and tribal
conflicts in Afghanistan that provide the basis for Al Quaida and
all that means; the Arab-Muslim rampages against Africans,
Christians, and Pagans in Sudan; secular-Islamic conflicts where
they are especially tense as in Algeria, Egypt, Jordan, Pakistan,
Palestine, and Lebanon; and unabsorbed Palestinians in Lebanon,
Jordan, Syria, and some other places.
Do not forget Israel. Its existence serves those who wish to
distract restive hoards from local abominations.
There are also several million unabsorbed migrants in Western
Europe, including those who are talking about the reconquest of
Andalusia. Will they keep the tourist signs in the Juderia of
Cordoba?
What about the moderate Arab states? One Jewish friend traveled to
Saudi Arabia as part of a professional mission. She had a thrilling
experience. When asked if she was candid about her background on the
visa application, she responded:
I understand my friend. "Thou shall not bear false witness" cannot
be an absolute when Jews want to travel in the Middle East. However,
we should not overlook this and similar incidents. One of the best
friends of the West insists on being be Judenrein, except for Henry
Kissinger and a few important others. The last time I looked, there
was a Jordanian law indicating a death penalty for anyone selling
property to one of us.
The Middle East is not all bad. Spring is well along. There is a
flowery hillside a few steps from my front door. From my balcony I
see sheep and goats munching on grass that looks luscious after the
winter rains.
May you all have a Passover that is appropriate to your tastes. For
those with literate computers, I wish you
חג שמח
We went to
the Coronado Playhouse, Friday evening, February 9. My wife Rachel and I
were invited by Eric Frydler to see a play adaptation of Bram Stoker’s
novel Dracula written by John Mattera. This particular version
was presented as a musical play with an original score composed by
Frydler.
Frydler
grew up in New York City-Queens. Both of his parents emigrated from
Europe after WW II. His mother came from Warsaw, Poland and was rescued
from the camps, literally at the last minute, by Eric’s father. This,
however, is another story worth telling in its own right.
Since the primary purpose of this article is to introduce Eric Frydler to our readers, I would be remiss if I did not comment on his latest achievement: the original musical score for John Mattera’s delightfully humorous adaptation of Dracula. For me it was one of the highlights of the evening. From the very first parting of the curtains in scene one, to their final closing, his music set the appropriate mood. The sounds he created where crafted well; starting with a sense of tremulous apprehension and building to more forceful crescendos. At times they were menacing, at other times they opened our senses to better relate to the action on stage. As a composer, Frydler displays both an intuitive, as well as structural, understanding of the musical language necessary for effective dramatic theatre.
We were assured beforehand that we would experience much more laughter than fear, and so it was. Under Gary Byrd’s able direction, the two and one-half hour performance moved along smoothly. The first act I felt was somewhat slow in parts. Jeffrey James Lippold as Count Dracula, delivered the required evil demeanor. I thought he could have held back little on the volume and intensity of certain lines thus allowing him to build up to a more forceful and threatening display of violence as the play progressed.
The story of
Dracula is fairly well known gothic fantasy meant to bring up our
repressed fears and erotic feelings. The play’s author, John Mattera, is
a member of The Dramatist Guild and Horror Writers of America. By
combining this tail of horror, with a strong dose comic relief,
delivered so very well by the multitalented Ivan Harrison as Charles
and Charley Miller as the mentally deranged Renfield, Mattera brought
the whole fantasy together in a much more enjoyable format. It was a
good evening of fun and laughter, which we all need more of today.
Melanie
Rubin photographed two more
license plates for her Jewish culture on the road collection:
Hag
Sameach,
Don Harrison
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